Books Books Books (My 2015 Goodreads Challenge)

I'm a little late posting this, but I finally curled up with a cup of tea and my Goodreads dashboard this morning to see how I did in 2015, rather than finishing either of the two books I'm currently halfway through. I didn't meet my Goodreads challenge for last year (which was 35 books), but I really enjoyed just about everything I read. The majority of the books I spent my time with were fiction, and I'd say over 75% of them were audible books (my favorite way to read while I'm at work in the studio!)

Below is my Year in Books. I couldn't decide on a favorite this time. It's a tie between Althea & Oliver, and My Heart and Other Black Holes. Both VERY good, and I'd definitely read them again in the future. 

For 2016, I'm setting my goal at 24 books. I feel like 2 books per month should be doable, so we'll see how it goes! What are you planning to read this year? I'd love some recommendations if you have any.

If we're not already connected on Goodreads, lets change that! Find me here

Tour My Workspace(s)

My work is a huge part of my life, and my home is where I work. The spaces in which I create are linked to my ability to get work done, be inspired to try new things, and ultimately make a living. Working from home is ideal for me, because I can bounce around from making leather earrings, to needle felting, to laser cutting wooden pendants, to photographing new products, all without having to go anywhere. A lot can be accomplished in just one day!  

Today, I’m inviting you on a virtual tour of my many workspaces. Each room is home to a different part of my process, and is the birthplace of a variety of handmade items. When you make a living making things, it can change your whole lifestyle, and your home ends up becoming more than just a place to live.

Come on in, welcome to my home!

The Workshop: this is the first stop on the tour because it’s where my husband / operations manager and I have spent the most time renovating and improving lately (lighting, ductwork, wood paneling, etc.). The unfinished basement is about 900 square feet and is where a lot of production work occurs. All the things that make big messes (like the lathe, sanders, saws, laser cutter, etc.) live down here.

The Laser Room: In an 8x10 side room, a room that was once used as a children’s play area when we hosted a Bible study / small group a few years ago, is now the the “laser room”. I recently upgraded my 40 watt hobby laser cutter to a humongous and awesomely powerful 90 watt pro model. It’s pretty friggin’ cool! We could barely move this new machine into the house, it cost as much as a used car, and requires serious ventilation, but it was well worth it. My jewelry designs (done in Illustrator or AutoCad) are intricate, but the laser can handle it. I could never dream of doing these cuts successfully by hand, so by adding this high tech tool, I’m able to remake my designs over and over, which allows me to do large orders and keep my prices reasonable. Having a machine like this changed my whole business model several years ago when I took the plunge and bought the original laser. In this room, I also keep some leather, wood, and tons of supplies. We’ve got a small tabletop CNC router on order so that will be a welcome addition very soon.  

* Favorite things about this space: the workbench with “paint store” that my handy husband built for me, and my way-cool splatter paint carpet that’s fun and light, but hides everything (because let’s face it, it’s not clean, and some of those paint splatters are actually paint splatters).

The Studio: From the basement workshop, walk up two flights of stairs and you’ll find my studio. This is the room where final assembly, finishing touches, photography, and packing orders occurs. All of the hand-cut leather jewelry is made here, since I still have have a number of designs that use basic hand tools rather than high tech machines. In the closet, there’s shipping supplies and about a dozen articles of clothing. Not my clothes. Clothes I got at thrift stores and intend to chop to pieces and turn into jewelry. I love to repurpose leather and will buy just about anything, as long as the color is right.

* Favorite things about this space: My “leather drawers” ;-) The leather scraps in these drawers are organized by color, and I get inspired just by looking at all the bits and pieces and all the possibilities they bring.

The Office: Go back down one flight of stairs, and you’re in the office. It’s funny, the workshop, studio, and office are all in the same exact corner of the house, so the views are identical, just at different levels. The office is shared with my husband who works from home, and is where I do all of my correspondence, Etsy shop maintenance, photo & video editing, blogging, and accounting. Since I don’t have a physical brick & mortar store, and in-person craft shows are only seasonal, I end up doing the majority of my business from this spot in the house.

* Favorite things about this space: being near my husband. We “bother” each other a lot, but it’s actually a huge blessing. There was a time back when we lived in the DC metro area when we only saw each other about 2-3 hours a day during the week. It sucked. We have a completely different lifestyle now and I wouldn’t trade it for anything. Also, his title of “Operations Manager” is 100% accurate - he keeps the biz up and running, so it’s nice having him nearby.

The Couch:  Not kidding! I spend several hours a day needle felting on the couch with some sort of nature documentary, depressing indie film, or audio book going in the background. The living room may pass for fairly normal at first glance, but if you look closer (like in the bins under the couch, the basket under the end table, in that dark wicker hamper sitting discreetly in the corner), you’ll notice there’s a whole flocks’ worth of sheep’s wool all around you. I have my roving in containers organized by color, so it’s easy to find what I need. Besides (a lot of) wool fiber, there’s really not much else needed for needle felting. I have a 2” thick foam pad that sits on my lap while I felt, a variety of needles, plus a portable work light, and that’s about it.   

* Favorite things about this space: being able to learn something new / think about something else unrelated to my work, while I work. My hands may be felting, but at the same time I can be learning all about the Altiplano in South America and the fascinating flamingos that call it home, or reading / listening to The Electric Michelangelo by Sarah Hall for the 50th time.

So there you have it. The spaces where everything is handmade, by me, under one roof!

Architecture Meets Jewelry

Architecture and jewelry have a lot in common: form & function, balance, personal connection, and materiality, just to name a few. It’s no surprise the A & D industry has contributed to the jewelry world, and vice versa. Recently, I was commissioned to make a small contribution of my own, and the experience was the ultimate collision of my career and small business.

My background is in commercial interior design. When I’m not running my handmade jewelry business Once Again Sam, I’m working as an interior designer part time for LS3P, a major architecture firm in the Southeast. I’m part of the Worship Studio, which consists of a dedicated group that helps design traditional and contemporary churches all over the country. Interior Design and Jewelry Design influence each other in ways I never imagined. I have designed floor tile patterns that became leather cutout cuffs, and I have chosen wood veneer for pendants that ended up appearing on feature walls. Design is design, oftentimes applicable beyond it’s intended application.

Women in Architecture of the Upstate recently commissioned me to create a special gift for their upcoming event, to be given to the speaker, Kate Schwennsen. Each year, they feature a different artist, and have commissioned a variety of work that ranges from painting, to film, and fine jewelry. I was glad for the opportunity, and a little curious how the design committee process might go.

Working as an interior designer means I regularly meet with committees to present concepts and material finishes, and share sketches of potential designs. I’m used to feedback, managing a range of different opinions, and communicating ideas with clients. However, working as an independant jewelry designer and small business owner, I’m used to working alone, having almost no feedback, developing ideas from start to finish with zero outside influence. Designing jewelry with a committee was an entirely new opportunity, a combination of my two skill sets, and the experience ended up being incredibly enjoyable thanks to the wonderful ideas and productive interaction with the WIA group. I’m also thrilled with how the final gift turned out and hope the recipient is too!

This is the final gift set - it includes a mahogany jewelry box with a laser engraved top, and matching leather lining. Inside is an orange laser cut leather bracelet, a pair of bocote stud earrings with orange leather insets, plus a geometric bocote pendant with brass tube detail (the orange is a nod to Clemson’s colors, because Professor Schwennsen is director of The School of Architecture at Clemson University).

So how did we end up here? Where did this design come from? The process went something like this:

The committee shared what they knew about the speaker, her style, what kind of jewelry they thought she’d enjoy. We also wanted to portray an abstract storyline about the “bridge” between an education in architecture and career to inspire the geometry and connections within the jewelry itself.

• We looked at examples of jewelry I had made in the past, so that the group would better understand the kind work I’m able to create, plus we reviewed color and material options available.

• I developed 4 concept sketches showing different wooden pendant ideas, which was our primary piece. Some ideas were similar to pieces currently in my jewelry line, others were 100% new.

• The group provided feedback on the sketches, asked questions, brought up some excellent points, and I made a few templates and prototypes before getting final approval to proceed with an option.

• I began making the final pieces based on a majority vote in favor of option #1 (and had some help from my handy husband making the box to contain the set).

The final gift set was presented at the AIA / WIA meeting on October 20th, following Kate’s talk titled “We’ve Done More than Stir: Celebrating Women Leaders, Creating Cultural Change”. It was easy to see why she’s one of the most admired educators in the USA, and I was really inspired by her message. Women have been making headway in the field of Architecture, which is exciting, but there’s still a long way to go!

Learning Shibori Dying

Getting my hands dirty is something I look forward to. Dying my hands blue….well, that was new for me until recently. I took a Shibori dying class this weekend, and as always, learning something new and unrelated to anything else I’m involved with, tends to inspire me in unexpected ways. Not only did I learn about the historical significance of indigo, but also practical information about working with natural dyes. I can admit this now, after the fact, that I didn’t realize indigo was a plant. I guess I always assumed it was a mineral or chemical compound, but it’s actually a crop, one that’s making a major comeback on American farms. Who knew! Well, you might have known, but I certainly didn’t.

The class was organized by The Maker’s Collective, taught by Catherine Cross of the Summer Blues Indigo Dying Workshop, and hosted at Knack here in Greenville, SC. Our group spent the first hour watching demonstrations of different techniques, learning an overview of Shibori dying, followed by two hours of our own hands-on experiments. We used clothespins, rubber bands, clamped plywood, and lots of other random stuff to resist the dye in certain areas, creating all sorts of interesting and unpredictable patterns on test fabric, and eventually “real” stuff like clothing. I brought some white leather scraps from my studio, just to see if it would work, and was thrilled with the results. It was such a blast!

A few of my finished pieces

Some of my pieces turned out beautifully, but most did not. I couldn’t get the dye to do exactly what I wanted, but it’s nice to give up control sometimes. Here’s why my so called failures are actually good for the health of my creativity:

I need freedom to fail sometimes. I need freedom of process, to experiment with new mediums that may or may not complement the work I do for my handmade business Once Again Sam. My average day is filled with production, making finished items to fulfill orders, all of which have to look a certain way. My business is booming, which is exciting, but I don’t often have time to just dabble and screw around in the studio like I used to. I have to be diligent with my time and make make make, otherwise by business might fail.

The thing is, my business won’t fail just because I took a few hours one Saturday afternoon to go learn something cool like Shibori dying rather than working on orders. It’s healthy to get out once in awhile and try something new, just for fun, just to keep my creative juices flowing. Experimenting with different mediums is how my business started, and I have to step back and remember that, and choose to pursue more of it, because it will help me grow. Afterall, I’m a maker (who currently has blue hands), not a factory.

Indie Craft Parade 2015

The 6th annual Indie Craft Parade was this past weekend, and as always, it didn't disappoint. Far from it! This highly competitive, well-organized regional craft fair showcases 80 artists and brings out 6-7,000 attendees in Greenville every September. I was pleased to participate once again this year, and just as in years past, it was one of my best shows ever. How does that keep happening? This particular craft show is just THAT good!

I saw so many familiar faces, people who have been coming to my booth year after year. I always enjoy seeing "vintage" Once Again Sam jewelry in the crowd, pieces I made several years ago, still being enjoyed. That's probably the coolest part of the weekend - having happy customers come back again and again.

This is a big weekend for my business, so I spend a good chunk of the summer preparing for it. I'm proud to say, this was the first Indie Craft Parade when I didn't run out of bags or dollar bills. In previous years, I vastly underestimated how many shoppers would come through, so I'd double up on supplies the following year, and of course the number of customer would double up too, so I still had the same problem. Not this year! I took $150 in singles, and over 500  paper bags (which I hand stamped one by one) and it seems I finally have a feel for just how to prepare for this show. It only took me 5 years to get it right! 

Here's the rundown of my weekend in numbers, just as I shared last year, plus a peek inside my shopping bag at my fabulous finds. I always enjoy supporting other artists, and at a show like this one, you truly have to restrain yourself! There is so much talent, so many gift ideas, so many splurges to consider. In the end, I brought home items from 12 other artists. 

My 2015 Indie Craft Parade purchases will full artist list below:

1. Origami flowers by Paperform

2. Mixed media block art by Heather Murphy

3. Ceramic bowl by Daniel Bare

4. Paper wall art by Paperform

5. Lip balm by Hello Soap

6. Weaving on woodblock by Twenty Two West

7. Mixed media assemblage by Jon Andrews

8. Wood block paintings by Sunny Mullarkey Studio

9. Brass stud earrings & ring by Melting Sun Apparel

10. Print by Elizabeth Foster

11. Painted wood sign by Olive + Grey

12. Handbag by Hawks & Doves