Basketry Class at The Folk School

I recently returned to the John C. Campbell Folk School in Brasstown, NC, my third visit so far. This time around, I tried out yet another new medium: basketry. Not just any basketry, baskets woven with antlers! As an aspiring naturalist with an ever-growing collection of bones, this seemed like the perfect course for me.

Although I work in many types of fiber mediums, I have no previous experience with basketry, but thanks to my talented instructor Mark Hendry and his assistant Scarlette Rouse, I had a wonderful week learning this new craft. During my week at the Folk School, I created 4 pieces (2 baskets, one tray, plus one sculptural “thingy”), and tried out all sorts of weaving materials such as reed, seagrass, grapevine, and yarn.

There’s something truly magical about the Folk School and if you’ve never been, I highly encourage you to check it out at least once. Don’t wait until you retire, go now! Getting out of my usual routine and 100% absorbed in something new does really good things for my mental health. These “art-cations” are a great way to spend a week in a non-competitive learning environment, getting an intense and in depth crash course in your chosen medium (most of which are rooted in Appalachian culture) and I always lose track of time. It feels like I was there a year, and I mean that in the best possible way.

I’m not sure yet how I will incorporate my newly-learned basketry skills into my current work but I’m excited to find out!

Past posts about the John C. Campbell Folk School:
2019: Rug Hooking

2016: Metal Working

Snowscapes

Inspired by snowy scenes once again this winter, this small series of needle felted landscapes was a joy to make, even though we have yet to see our first snowflakes here in South Carolina. When (if) we do, believe me, it’ll be a disaster!

The new series of snowscapes ranges from 3x3 to 8x8, so they’re the perfect small size to squeeze into your gallery wall. Or, if you change your artwork out seasonally, they make a great addition for the winter months. From white pastures to icy rivers and snow covered trees, this limited series is made with dyed wool fiber was created with a longing for a cozy snow day here in the south.

Shop the collection on the website and use coupon code SNOWDAY for 10% off now through the end of February.

Studio Graffiti Jewelry Series 2024

Every year in my studio, I change out the protective plywood covering on my workbench where I have painted hundreds if not thousands of pieces of art and jewelry over the course of 12 months. The piece of painted 1/8" plywood is an accidental work art. It's every color I've used all year, layered, splattered, and pooled in random patterns. Once the surface is cut up into 4 smaller pieces (so it fits in the laser cutter), these authentic layers of paint from my work surface become little jewels of abstract art. Everything is one-of-a-kind.

The time-lapse video shows my process, and gives a glimpse of just how colorful and unexpected each piece will be once it’s cutout. No two pieces are exactly alike, but if you have a certain color you’d like to be included, just let me know when you order (choose one of the color swatches at checkout) and I’ll find a spot on the plywood that includes that particular color.

This New Year’s tradition is something I always look forward to. The change in my plywood to a fresh unmarked piece, and looking back at the previous year’s colorful mess. It’s a new series where the recipient gets a little surprise, not knowing exactly what the finished piece will look like. It’s abstract art, but it’s also mistakes and overpainting marks.

But really, the reason I love this series so much and continue to make these year after year is that it’s a fun way to repurpose and use something old, ONCE AGAIN, in a whole new way. And that, my friends, is why I started this business.

Tufted landscapes (and the struggle behind them)

It's been well over 6 months since I picked up my tufting guns, but I'm so glad I did this summer. While this particular fiber art medium is still very new to me, I'm starting to get the hang of it and slowly developing my own style. 3 sets of tufted diptychs are ready to ship & hang in your home, and here's a time-lapse video showing a peek at the process. 

While learning to work in any new medium or figure out the nuances of using a new tool can take time (and lot of trial and error), it’s what keeps me going. I need to learn new things, always. Tufting seemed like the next logical step for me once I started expanding on my needle felting work and doing mixed media fiber art a few years back, but tufting has been a rocky road so far. I love that I can work larger and faster, but I am having a hard time accepting that the detail level that I’m able to achieve with punch needle, needle felting, and rug hooking, is just not going to be possible with a tufting gun (or at least not at my current skill level). I had to rethink my ideas and adjust accordingly.

Some of my other struggles when it comes to tufting are purely comfort-related. It’s a very physical art form - you are on your feet for hours and hours, the tufting guns are heavy and they take a toll on hands and wrists in a way hand-work doesn’t seem to effect me. Plus, it’s loud and messy, and I like to keep my studio neat, even though the whole point of a studio is to have a workspace where it’s totally acceptable to have a mess. It seems silly that these drawbacks are part of what’s kept me from tufting for half a year, but I’m just being honest.

I was considering selling my tufting guns and frame, I hadn’t used them in months, they were new and in good condition (and too expensive to just sit here and not be used). I wasn’t looking forward to setting up the frame and having whatever project take over my studio for days on end. Although I may eventually eliminate tufting from my studio I needed to give it another chance, a REAL chance, a chance to be it’s own thing and lead the way to a new style, a chance to change my expectations. It can’t do what I want it to do but it can do a lot of other very cool things. I need to embrace those things.

All 3 of these diptychs have a completely different style, though the subject matter is very similar. One is focused on two-tone gradients, one it’s very abstract and blocky, and the last has a bit of a stained glass or paint-by-number feel. I like all of them for different reasons, and it’s enough to push me to keep trying and keep tufting. I hope to add more tufted pieces to the website later this summer, but for now shop the small collection online.

Flat Out Under Pressure 24-Hour Art-Making Competition 2023

I participated in the Flat Out Under Pressure 24-Hour art-making competition this year in Greenville, SC and it was so much fun (a LOT of work, but worth it!). My mixed media fiber art piece included punch needled yarn, rug hooked fabric strips, and needle felted wool fiber. I’ve participate for several years in a row but this is by far the largest piece I’ve attempted for this competition (and I was really pushing my luck to finish on time).

The piece is about 20" in diameter, featuring a scene inspired by Lake Jocassee, here in the upstate of South Carolina. The finish piece, along with all of the incredible work made by 100+ other local artists is now on display at Metropolitan Arts Council in downtown Greenville, SC and will eventually be available on my website.

Hope you enjoy the process video!