Take a Break

I recently got the chance to do an author interview on Avery's Book Nook and really enjoyed the questions, especially the one about advice for aspiring authors. I've given this piece of advice a few times because it was one of the best things I ever did for my own writing: TAKE A BREAK! I'm not talking about taking a lengthy vacation right in the middle of writing a story if you're on a roll. I'm talking about letting the novel rest once you've completed a first draft or major revision. Let your words stay as they are for a few weeks (Stephen King suggests 6-8 weeks in his book On Writing), then come back to your story with a fresh perspective. What do you do for 6-8 weeks while your unfinished masterpiece just sits there waiting for you? Work on something else, anything else. You'll be glad you did, because when you come back to your novel with new skills, a clear mind, and bursting-at-the-seams excitement, you'll be amazed the improvement. In this author interview on Avery's Book Nook, I came clean about how long it took me to finish Celia on the Run, which I began writing several years ago. I just didn't know what to do with a strange story like this at first, I couldn't end it to my satisfaction, but I was too invested in the characters and partial manuscript to abandon it. So, I took a major break from this story (way more than 6-8 weeks, more like a year), but in that time I wrote about 3 other full length novels then came back to Nick and Celia's road trip where I was newly inspired and finished it with a bang.

If the plot just isn't working, if the ending is lame (and you know it), don't give up hope, just make sure your computer files are backed up and take that much needed break!

Check out the full interview here: http://www.averysbooknook.com/2012/10/author-interview-sarah-mandell.html

A Good Listener

I have a hard time sitting still for long periods of time. There's so much I want to do, so many projects I bounce between on any given day, so finding the time to actually sit down and quietly read a book doesn't always happen for me, even though I love love love to read. So how do I still manage to get through about a book a week on average? I listen to them. I know, audio books are for old folks, right? I'm not even 30 yet! My mom used to borrow books on tape from the library when she traveled for work, and I as a teen I thought that was pretty lame, especially when loud music was an option. I'm now realizing she was onto something, she found a great way to multitask and get more out of the time on the road. I'm proud to say I have my Audible.com subscription and I go through credits like I go through a bag of potato chips. I use the Audible.com app and my story plays like magic out of the speaker on my phone, usually from my back pocket as I go about my day (not just in the car, not just at the gym). Listening to novels allows me to keep doing what I'm doing, but still offers that escape into another life, another world, that's so addictive. Audio books also give me an edge when I write dialogue in my own stories, I believe. When you listen to someone reading out loud, it's really easy to tell when the dialogue is a bit off and doesn't sound realistic, and now that I've become an avid listener of books, I think that's helped me hear the difference and carry that over into my own work. One writing tip I've heard countless times is to read your dialog out loud, and though it seems kinda silly, it really does make sense, you can hear the problems before you even finish speaking the sentence. Listening to books has also taught me to listen to the way people speak, the slang that's natural, the cadence of their comments. There's some words that seem to appear in books all the time (like cacophony, which has been in every single book I've read so far this year!), but I've never actually heard a person use in real life, so I tend to avoid big complicated words in my own writing because I gravitate towards characters that are fairly ordinary, and ordinary people use ordinary vocabulary.

I still make time for "real" books on occasion. As much as I love my audio books, I also love dirt cheap used books and have a huge stack of them on my shelf to prove it. I'm usually reading two books at a time: one the old fashioned way, one with my ears. I've started keeping track of my "currently reading" list on Goodreads, but only I know which of the two books I'm actually reading and which one is being read to me.

No crickets, please!

Two new reviews to report today. Both readers seemed to have enjoyed Celia on the Run, but in very different ways. I love that! I love that the same characters and plot line, the same exact words in the same order, can have a unique impact on the person taking in the story that's different from other impressions on the same story. Plus, it's always helpful for me to hear the readers take, so I owe Francene at Poetic License and Mandy at I Read Indie a big thank you for sharing their thoughts on their blogs (and for the praise, of course!) If there weren't readers willing to take the time to post feedback, and I was left with a published novel and heard only crickets in response, I might start to wonder if somebody left a window open because I'm hearing crickets and I don't want to be hearing crickets. No crickets, please! Check out what these readers had to say:

http://francenecarroll13.blogspot.com/2012/07/celia-on-run.html#

http://twimom101bookblog.blogspot.com/

Character Recycling

I was invited to do a guest blog post on Actin' Up with Books and took the opportunity to write about "character recycling", how I've been known to salvage good characters from less-that-perfect manuscripts of my past and try them out in a new setting because I just can't leave them behind. Here's the full article: http://actinupwithbooks.blogspot.com/

Character Recycling

I have two dirty secrets. Sometimes I forget to recycle bottles and cans, and sometimes I recycle characters from past stories I’ve written. There’s no excuse for the bottles and cans, but I believe recycling a character can be a good thing.

 It’s almost like an in-depth character study, a trial run. I’ve created a person, compiled quirks, traits, and preferences, then tried them out in a setting or scenario. I’ve had practice with that particular character and really liked them, but the story was sub par, and I hate to lose a good character just because I couldn’t come through on the manuscript. I’ve written about 10 manuscripts over the last 4 years, most of them unfinished junk, a few keepers, and so far, just one that’s made it through publication (with Untreed Reads), but I feel no shame in sharing with you that Nick Novaczek, the main character from my debut novel, Celia on the Run, was a shy but admirable kid that was originally from a novel I’ve since abandoned, which was called The Trampoline. The original story didn’t quite work, but the character did.

 Armed with a great character, one I knew very very well from writing him all the way through a previous manuscript, I tried him out in a new setting, cast him opposite a wild and reckless beauty named Celia, and put them in a sorta stolen car on their way across the country for completely different reasons. Bingo! Nick was made to hopelessly crush on an ungrateful girl like Celia, he was meant to overcome his fears and jump off a bridge (among other things), and he was ready to come-of-age on the road trip of a lifetime.

Now that Nick Novaczek is out in the world in my first published novel, that’s it, I would never dream of recycling him. As for the countless other characters in my unfinished / unpublished work, they’re likely to get revamped, re-matched, and probably renamed before I’m done with them!

YA: On the Fringe of Adulthood, On the Fringe of a Genre

I was given the opportunity to write about a YA topic of my choice for a guest blog post on All-Consuming Media, and boy, I had so much to say. The whole genre classification thing is a bit limiting to me, and sub genres can get a little out there too, unless we're talking SciFi. The books I tend to enjoy the most are the ones that don't quite fit into any one genre, they're the misfits on the bookshelf. On a multiple choice test, they're "D. None of the Above". If I had to put Celia on the Run in between two books on a bookshelf (imagine for a moment the ebook was a real book and please know I wouldn't dream of comparing my writing to these awe-inspiring authors), I would put it in between In the Path of Falling Objects by Andrew Smith, and Amy and Roger's Epic Detour by Morgan Matson. I remember when I first began shopping my manuscript around in the summer of 2010, I purposefully left out the genre from my query letters because I was quite concerned with misleading anyone into thinking my writing was suitable for children. Celia on the Run is a story about young adults, and is appropriate for SOME young adults, but not all. I searched the web, looking for a simple tag for a not-so-simple book, and kept getting similar information, saying YA is classified as fiction FOR young adults or ABOUT young adults, so that's the route I ended up going.

In the end, once I had finished writing the guest blog post for All-Consuming Media, I finally figured out how to describe the genre of my debut novel: It's YA with a slap in the face.

Read the whole article here: http://tigersallconsumingbooks.blogspot.com/2012/07/guest-post-ya-on-fringe-of-adulthood-on.html