Artist-in-Residence: Wildacres

I've been away from the studio for the past week for a good reason. I had the privilege of being one of the artists-in-residence at Wildacres Retreat in Little Switzerland, NC and I enjoyed every minute of my time away. Here's a look at what I did, where I went, and of course, what I made. 

Unlike with past residencies, I had a project plan this time, and it helped me get into the swing of things right away. I knew in advance there were certain trails I wanted to hike, views I wanted to seek out, and even a few specific pieces I wanted to make. However, I was unprepared for the inspiration that found me during my week of exploration and reflection. Even though I created 25 pieces in 6 days, I ran out of time for all of the ideas that flooded my mind. It was exactly what I needed, I’d been feeling very stuck with my work lately, like I’m making the same things over and over (because that’s what sells, not because that’s what I want to make). This time alone, in a new surrounding, opened up my eyes.

I truly enjoyed staying in the remote cabin, surrounded by mountain laurel and pine trees (and deafening cicadas at night!). No AC, no TV, not much internet connection, and I even used a pot holder to block the clock on the stove all week, because I didn’t want to know what time of day it was. I ate when I was hungry, slept when I was tired, hiked all morning, created all afternoon, and went joy riding every evening. Time flew by, but it also stood still.

Wildacres Retreat is a magical place, if you ever have the opportunity to visit (either with a group to the conference center or on your own as an artist-in-residence). The location is off the Blueridge Parkway in Little Switzerland, NC and it’s hidden in the woods, with a beautiful mountain view and a friendly atmosphere that encourages creativity and the betterment of humanity.

In addition to thoroughly exploring the Wildacres property, which boasts miles and miles of trails, I also ventured out each day in a different direction to see what I could see. I checked out nearby towns including Spruce Pine, Little Switzerland, Marion, Old Fort, and Chimney Rock. I hiked multiple trails each day (outside of the Wildacres property) and those took me to mountain tops, dense forests, and waterfalls. Some of my favorite spots include the top of Hawksbill Mountain (pictured above) where I was completely alone at the top of the world, letting the wind whirl around me. I loved my hike to Yellow Fork Falls (pictured below), racing the radar one morning, where I not only got there in record time because I was moving so darn fast to beat the rain, I also managed to not get my Mini Cooper stuck on what was very much an off-roading experience that in hindsight was probably a bad idea. We made it out alive!

Other favorite moments:

  • Driving all the way to the top of Mount Mitchell, the highest peak east of the Mississippi, only to be surrounded by dense fog (or were they clouds?) and not minding one bit. I’m sure the view is great on a clear day, but I loved that somber moody feel and plan to felt a piece inspired by what I saw / what I didn’t see.

  • Getting rained in one afternoon. The remnants of Storm Debby made their way to the North Carolina Highlands midweek and pounded the cabin roof for hours. I loved it. It gave me an excuse to take a break from hiking, take a nap, and do a little painting, something I never seem to make time for.

  • Cruising the ever-curving Blueridge Parkway and happily breaking for more fully grown bucks than I’ve ever seen in my life alive, not mounted on a wall, and at least 30 wild turkeys, including a swarm of baby “turklets,” as I like to call them. Everybody saw bears except me.

  • Having the last dinner on campus with the other two artist-in-residence Emma van Halsema, a talented plein air painter who works in animation, and Kathy Schwille, author of What Luck, This Life. We shared a bottle of wine, we shared about how impactful the week had been, and it was just wonderful connecting with these two women, even though we had mostly spent the week in solitude.

  • Watching the sun set every night from a different overlook on the parkway. The sky never looks the same. The mountains never look the same.


Artist residencies have become a big part of my life. To date I’ve been honored to do 8 residencies, and each time, that gift of space to explore and create changes me. Sometimes it’s a mental change - I learn to relax, I dream again, I get inspired. Sometimes it’s a skill change - I get really good at felting gradients, or I attempt to paint something way more detailed that I would normally attempt. And sometimes it’s a physical change - I take on a hike that’s probably beyond my abilities, but I enjoy it, even the soreness the next day, because I earned it. I never know what’s in store as artist-in-residence, or who I’ll meet, but I arrive with an open mind, a need for time away from my design job, my commission list, my never-ending to-do’s around the house. I’m so grateful to Wildacres Retreat for this gift of time and space. I will never forget the experience.

I hope you will enjoy this video recap of my week in the woods, and enjoy browsing the full Blueridge collection on my website.


Lavender Season

It’s lavender season and I’ve been truly inspired by this colorful warm weather herb in both my fiber art and handmade jewelry. The lavender field inspiration lead to a mini collection of needle felted wool landscapes, a new colorway in my splatter painted acrylic jewelry series, plus a new landscape painting pendant scene.

I’m lucky enough to live in proximity to a lavender farm, so of course I made this new series my excuse for a field trip to Twin Creeks Lavender in Williamston, SC. The farm is only open for a few weeks each summer but it’s a fun excursion where you can learn about the different varieties, cut your own bundles, eat lavender honey ice cream, and shop all kinds of local goods.

Shop the fiber art and jewelry collection online and enjoy this peek at the process time-lapse video!

Basketry Class at The Folk School

I recently returned to the John C. Campbell Folk School in Brasstown, NC, my third visit so far. This time around, I tried out yet another new medium: basketry. Not just any basketry, baskets woven with antlers! As an aspiring naturalist with an ever-growing collection of bones, this seemed like the perfect course for me.

Although I work in many types of fiber mediums, I have no previous experience with basketry, but thanks to my talented instructor Mark Hendry and his assistant Scarlette Rouse, I had a wonderful week learning this new craft. During my week at the Folk School, I created 4 pieces (2 baskets, one tray, plus one sculptural “thingy”), and tried out all sorts of weaving materials such as reed, seagrass, grapevine, and yarn.

There’s something truly magical about the Folk School and if you’ve never been, I highly encourage you to check it out at least once. Don’t wait until you retire, go now! Getting out of my usual routine and 100% absorbed in something new does really good things for my mental health. These “art-cations” are a great way to spend a week in a non-competitive learning environment, getting an intense and in depth crash course in your chosen medium (most of which are rooted in Appalachian culture) and I always lose track of time. It feels like I was there a year, and I mean that in the best possible way.

I’m not sure yet how I will incorporate my newly-learned basketry skills into my current work but I’m excited to find out!


Past posts about the John C. Campbell Folk School:
2019: Rug Hooking

2016: Metal Working

Snowscapes

Inspired by snowy scenes once again this winter, this small series of needle felted landscapes was a joy to make, even though we have yet to see our first snowflakes here in South Carolina. When (if) we do, believe me, it’ll be a disaster!

The new series of snowscapes ranges from 3x3 to 8x8, so they’re the perfect small size to squeeze into your gallery wall. Or, if you change your artwork out seasonally, they make a great addition for the winter months. From white pastures to icy rivers and snow covered trees, this limited series is made with dyed wool fiber was created with a longing for a cozy snow day here in the south.

Shop the collection on the website and use coupon code SNOWDAY for 10% off now through the end of February.

Studio Graffiti Jewelry Series 2024

Every year in my studio, I change out the protective plywood covering on my workbench where I have painted hundreds if not thousands of pieces of art and jewelry over the course of 12 months. The piece of painted 1/8" plywood is an accidental work art. It's every color I've used all year, layered, splattered, and pooled in random patterns. Once the surface is cut up into 4 smaller pieces (so it fits in the laser cutter), these authentic layers of paint from my work surface become little jewels of abstract art. Everything is one-of-a-kind.

The time-lapse video shows my process, and gives a glimpse of just how colorful and unexpected each piece will be once it’s cutout. No two pieces are exactly alike, but if you have a certain color you’d like to be included, just let me know when you order (choose one of the color swatches at checkout) and I’ll find a spot on the plywood that includes that particular color.

This New Year’s tradition is something I always look forward to. The change in my plywood to a fresh unmarked piece, and looking back at the previous year’s colorful mess. It’s a new series where the recipient gets a little surprise, not knowing exactly what the finished piece will look like. It’s abstract art, but it’s also mistakes and overpainting marks.

But really, the reason I love this series so much and continue to make these year after year is that it’s a fun way to repurpose and use something old, ONCE AGAIN, in a whole new way. And that, my friends, is why I started this business.